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Overview
The first time you open the RX 6 Audio Editor application or RX 6 plug-in(s), the Authorization window will appear.
The Authorization window allows you to:
- TRIAL: Start or continue a Trial period evaluation prior to purchasing
- DEMO: Continue evaluating the product with Demo limitations (after the 30 day Trial period has been exceeded)
- AUTHORIZE: Authorize the product with a serial number
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Trial & Demo Modes
A 30 day trial period will start when you first open the RX 6 Audio Editor or RX 6 plug-ins. After the 30 day trial period has expired, RX 6 will enter demo mode. To disable Trial or Demo mode, you must authorize the product with a valid serial number.
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Trial mode
Trial mode begins when the RX Audio Editor is first opened or when an RX 6 plug-in is first instantiated in a DAW/NLE. The authorization wizard window will display the number of days remaining in your trial period.
Clicking on the “Continue” button will dismiss the Authorization window and allow you to continue evaluating RX 6 in trial mode.
Trial Mode Functionality
- The RX 6 plug-ins offer full functionality during the 30 day Trial period.
- The RX 6 Audio Editor offers full access to all editing tools and processing modules but saving, exporting and batch processing are not available during the 30 day Trial period.
Demo mode
After 30 days, RX 6 will operate in Demo mode. In Demo mode, the RX 6 Audio Editor is limited to 30 seconds of continuous playback and RX 6 plug-ins will periodically output silence. If you would like to continue evaluating RX 6 in demo mode, click the “Demo” button.
Authorizing RX 6
We offer three main methods for authorizing RX 6:
![Files Files](/uploads/1/2/6/0/126022342/633812004.jpg)
- Online Authorization: Use this method to authorize RX 6 on a machine that is connected to the internet.
- Offline Authorization: Use this method to authorize RX 6 on a machine that is not connected to the internet.
- iLok Authorization: Use this method to authorize RX 6 using an iLok.
The following sections explain how to authorize RX 6 using the different methods.
Advanced Authorization Options
Clicking the Advanced button in the authorization screen reveals a set of options that allow you to store your RX 6 authorization on a portable hard drive or flash drive. More details on advanced authorization can be found on the iZotope website: www.izotope.com/en/support/authorization/
Online Authorization
To authorize RX 6 on a computer that is connected to the internet:
- Click on “Authorize”
The following screen will appear: - You must enter your name and a valid email address.Why is an email address required to authorize?
- Authorizations are associated with a user account on the iZotope website. Please make note of the email address you use in this screen, it will be directly linked to an iZotope account upon successful authorization.
- If you do not already have an iZotope account associated with the email address you enter in the authorization window, an iZotope account will automatically be created and associated with that email address when the product is successfully authorized. It is useful to keep track of the email you use in this screen to ensure that you are able to easily login to your iZotope account in the future (for example, to access product update downloads)
- If you already have an iZotope account associated with that email address, the authorization will be associated with the existing account.
- If you do not already have an iZotope account associated with the email address you enter in the authorization window, an iZotope account will automatically be created and associated with that email address when the product is successfully authorized. It is useful to keep track of the email you use in this screen to ensure that you are able to easily login to your iZotope account in the future (for example, to access product update downloads)
- Authorizations are associated with a user account on the iZotope website. Please make note of the email address you use in this screen, it will be directly linked to an iZotope account upon successful authorization.
- Enter the serial number, using all capital letters, as it is shown in your purchase confirmation email. SN-RX6-XXXX-XXXX-XXXX-XXXX
- When you have confirmed that your serial number and email information is accurate, click once more on “Authorize.”
- Click on “Submit” to send your authorization information to iZotope.
- Once the authorization is accepted, click on the Finish button to complete the authorization.
Offline Authorization
If you are installing RX 6 on a machine that is not connected to the internet, you can use the Offline Authorization option to successfully authorize RX 6.
Follow these steps to authorize RX 6 offline:
- Click on “Authorize” in the first screen of the Auth Wizard
- Click the “Offline Authorization” button that appears on the bottom half of the screen. This will open the following window:
- Select the “Authorize with iZotope challenge/response” option, and click “Next” to proceed
- The next window that appears contains a unique challenge code that is specific to your machine.
Write down or make a copy of your unique challenge code, you will need to enter this exact code in step 9. - Using a system with Internet access, login to your iZotope customer account: www.izotope.com/en/account/log-in/
- Once you are logged in, Select “Activate Software with a Serial Number”
- Enter your full serial number (obtained after purchasing the product) and click “Submit” Enter your serial number in this step, not the Challenge Code. The Challenge code will be entered in step 9.
- Select the “Challenge/Response” option and click “Submit”
- Enter your unique Challenge Code (from step 4) and click “Submit”
- After submitting your Challenge Code, you will receive a unique authorization file. The auth file will have a name similar to: “iZotope_RX_6_xxxxx.izotopelicense”
- Download this file to your machine.
- Move the .izotopelicense file to a portable storage device (ie. flash drive) or local network drive.
- Transfer the .izotopelicense file from your storage device or local network drive to your offline computer.
- Open RX and return to the screen from step 4 (if it is not already open). Select the “Choose File…” button.
- In the system window that appears, find and select the .izotopelicense file you transferred to the offline machine and click “Next” to authorize.
- If authorization was successful, a confirmation screen will appear. Click “Finish” to begin using RX 6.
iLok Authorization
iLok authorization note
RX 6 supports the use of iLok for authorization if you have the iLok License Manager installed on your system. RX does not install the iLok License Manager (or any iLok drivers) during installation. Please visit the iLok website to download and install the iLok License Manager if you wish to store your RX authorization on an iLok.
Follow these steps to authorize RX 6 using an iLok:
- When the Authorization Wizard appears, choose “Authorize”
- Enter the serial number in all capital letters as it is shown on the included card or purchase confirmation email.
- This would look something like: SN-RX6-XXXX-XXXX-XXXX-XXXX
- This would look something like: SN-RX6-XXXX-XXXX-XXXX-XXXX
- Enter your name and a valid email address.Why is an email address required to authorize?
- Authorizations are associated with a user account on the iZotope website. Please make note of the email address you use in this screen, it will be directly linked to an iZotope account upon successful authorization.
- If you do not already have an iZotope account associated with the email address you enter in the authorization window, an iZotope account will automatically be created and associated with that email address when the product is successfully authorized. It is useful to keep track of the email you use in this screen to ensure that you are able to easily login to your iZotope account in the future (for example, to access product update downloads)
- If you already have an iZotope account associated with that email address, the authorization will be associated with the existing account.
- If you do not already have an iZotope account associated with the email address you enter in the authorization window, an iZotope account will automatically be created and associated with that email address when the product is successfully authorized. It is useful to keep track of the email you use in this screen to ensure that you are able to easily login to your iZotope account in the future (for example, to access product update downloads)
- Authorizations are associated with a user account on the iZotope website. Please make note of the email address you use in this screen, it will be directly linked to an iZotope account upon successful authorization.
- Select “Use iLok Authorization” and enter your iLok ID. If you do not have an iLok ID, you will need to create one. Entering an ID in this field will not create a new iLok account. Please visit the iLok website for information on creating an iLok ID.
- When you have confirmed that your information is accurate, click on “Authorize.”
- Click on “Submit” in order to send your authorization message to the iZotope servers.
- You will now be instructed to log in to your iLok account and transfer your RX 6 Audio Editor license to your iLok.
- After transferring the authorization to your iLok, ensure the iLok is plugged into your machine and click “Next”
- If authorization was successful, a confirmation screen will appear. Click “Finish” to begin using RX 6.
Removing Authorization
Use the Remove Authorization button in the RX 6 Audio Editor’s Auth & Updates tab within the Preferences to remove your current RX 6 Audio Editor authorization.
Note for iLok users attempting to remove authorization
Remove the iLok containing an RX 6 license from your machine in order to remove authorization
After removing your authorization, RX 6 Audio Editor’s authorization screen will pop up when you restart the program. Now you can re-authorize using a new serial number. You may also remove your authorization at any time in order to run in Trial or Demo mode.
Contacting iZotope Customer Care
For additional help with authorizing RX 6 Audio Editor:
- Check out the Customer Care pages on our website: http://www.izotope.com/support
- Contact our Customer Care department at [email protected]
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For more information on iZotope’s Customer Care department and policies can be found in the iZotope Customer Care section.
iZotope’s RX6 is best known as a collection of tools dedicated to audio repair and restoration, but it can be an absolute time-saver in music production as well.
by Vincenzo Bellanova, Mar. 2018
The well-known iZotope brought its audio repair suite to the next level with the 6th version, offering brand new features, improvements and modules. RX6 is more of a collection of tools dedicated to the audio repair and restoration. It is a complete working environment that allows you to save hours of work, and it is not dedicated just to the post production in the film/documentary soundtrack area. RX6 is an absolute time-saver in music production as well, and, as I personally tested while making sample libraries, even in file management with its batch processing function that allows the import of entire folders of samples and the application of multiple modules or simply the resampling of all the files to a new sample rate – all that in a blink of an eye.
When recording outside, wind, microphone movement or excessive reverb in some locations can compromise the quality or the intelligibility of an audio take. Or it can happen to occur due to mouth clicks, excessively loud breaths, thundering and distracting plosives when recording vocals, click tracks or amplifier hums captured accidentally by our microphone. In RX6 you can find the perfect solution to almost every accident that can happen in a recording in one of its modules, and all of them truly take care of the problem without affecting the quality of the main audio material. Black magic.
As previously stated, RX6 is more than the simple collection of its modules. Its clear interface with the selection tools allows great precision when it comes to visualizing and isolating problems, extending a selection of a single frequency to the upper harmonics in a click and finding similar events. Module settings can be saved as presets, and a particular set of modules can be saved as a module chain for maximum speed when working on similar situations. And as if this was not enough, the new Composite View permits to process the same section of multiple files in a single window.
![Izotope Izotope](/uploads/1/2/6/0/126022342/854302752.jpg)
All that said, it is important to remember that paying a attention during the recording session can help to avoid a lot of work later. But, if the magic of a performance can’t be reproduced, or the same cast cannot make another take, or the recording of a documentary outside in hard conditions can’t exclude some issues, RX6 comes in handy, literally saving an unreproducible piece of work.
Basics and Interface
As mentioned earlier, RX6 works with modules, utilities that are dedicated to affect our audio material in a specific way to solve a problem. You can operate with these modules within the standalone version of RX, or use them as plugins in your DAW, but not all of them are available in all the RX versions (we will see the Advanced features later).
Importing audio is really easy: a simple drag and drop will let us visualize in the main window both the waveform and its relative spectrogram, with the time on the X axis, the frequencies on the Y axis, and the intensity of the color (orange being more intense according to the default settings, but it can be changed to our taste) representing the intensity. Within the spectrogram we can have a clearer and more immediate feedback on what is happening in our sample: if we have, for instance, a tonal background noise with a constant pitch, we will see a continuous horizontal line over the X axis, in a specific region or across the whole file. We could also change the balance between the waveform and spectrogram visualization with a little slider on the left, right under the spectrogram.
The interface in this new version hasn’t seen too many changes, and as in RX5, moving to the right, we will find some scaling settings, a vertical volume meter in dB, the frequency scale and the spectrogram scale. We can change the scales by right clicking everywhere on one of the numbers displayed. The default Mel frequency scale, for example, can be easily changed to Extended Log to better visualize the lower content of the audio material, and consequently better visualize and isolate the problems.
The rightmost column hosts the modules, divided into Repair, proper repair tools, Utilities, like normalize or tools for gain, EQ and phase adjustments, and Measurements, for deeper technical information about our sample.
In the lower bar are located the transport controls, a meter, and the selection tools: time selection tool, with which you can isolate a time region including all the frequencies, time frequency selection tool, allowing us to select freely a frequency and time region, frequency selection tool, which isolates a specific frequency range across the whole file, and some other useful tools, like the lasso, select harmonic and the brush and the magic wand, which automatically selects similar harmonic content of an already highlighted region.
A really useful feature that will save extra time is the Instant Process, available in the Standard and Advanced version of RX6: apply the process selected in the drop down menu (Attenuate, De-Click, Fade, Gain and Replace) instantly when selecting a region. The default settings of these operations can be changed opening the relative module.
New Modules
Covering all the modules and functions would take a long time and it is not the main purpose of this review, but luckily, iZotope provides a good online manual and a great list of tutorials, with each video showing how to solve a specific problem.
iZotope improved some of the existing modules in this new version, like the Ambience Match, Center Extract, Deconstruct, De-Plosive, Voice De-Noise, De-Click and the Find Similar function, and added several brand new modules: Breath Control, De-Bleed, De-Ess, De-Rustle, De-Wind, Mouth De-Click and Dialogue Isolate.
The Breath Control module intelligently detects only the breaths in the audio files, and allows us to attenuate them. This can be a huge time saver in music production when vocal editing can be a long process. The “Output breaths only” checkbox permits to listen to the breaths, in order to check if some other material is being identified as breath or if we need to adjust the sensitivity to capture some quieter noises.
The De-Ess module does exactly what it says, can attenuate the frequencies of sibilants, or can be used to adjust the spectrum of the overheads if their high end is too harsh.
The Dialogue Isolate is one of my favorite modules. Recognizing the spectral profile and the harmonic content of the speech, it can help to attenuate the background noises like traffic or crowds, and increase to volume of the dialogue, which will obviously benefit in clarity.
The Mouth De-Click module is dedicated to lip-smacks and other mouth clicks that can be recorded if the performer, for instance, is too close to the microphone.
De-Rustle is particularly useful with Lavalier microphones recordings, as it can attenuate and suppress the noise caused by brushing or hitting the microphone, and the De-Wind module, as the name suggests, take care of the low frequency noise caused by the wind.
Lastly, there’s the De-Bleed module. It sometimes happens that a signal leaks into another, for instance. How many times, after recording a vocal track, we can hear the click in the background? Sometimes it can be fixed with standard editing, but when the click occurs right on the vocal, it can be a real problem. This module works by removing the bleed problem from the recording, and it needs two tracks: the active track, with our recorded content, also containing the bleed problem, and the bleed source track, (just the click track, for instance). Those must be perfectly aligned and at the same sample rate (if not, the resample utility can solve the issue in a few seconds).
New Functions
In this new version of RX, alongside the other formats, we can finally export our work in MP3 format, for lighter files or drafts.
Another powerful and really useful feature is the composite view. Sometimes an issue like a noise like a ringing phone or some other disturbing element can be caught by multiple microphones. In that case we would have to correct all of the takes that present the problem. We can import multiple files, as before, but now RX lets us join them in order to visualize all of the audio content in a single window, isolate and correct a problem applying a module to all of the tracks in a single step, without processing the files individually. To fold (or unfold) the files in the composite, view, all we have to do is click on the dedicated “enter composite view” button.
Managing the Module List, or our presets, becomes even easier with the new Module List View, which allows to create a preset showing in the module columns just the tools we use the most, by simply checking or unchecking the relative boxes.
The practice section on the iZotope web page is something that deserves mention, not only because it not includes an overview but also a lot of videos covering almost every common issue we might encounter. It’s also merits attention because audio samples are provided in .zip files that we can download and use for practice along with the video, and this is a really meaningful concept that makes the learning curve less formidable.
iZotope guides: https://www.izotope.com/en/support/support-resources/guides.html
Tutorials with .zip files included: https://www.izotope.com/en/products/repair-and-edit/rx/practice.html
RX6 Help: https://s3.amazonaws.com/izotopedownloads/docs/rx610/en/index.html
Conclusions
iZotope has again raised the standards with this new version of RX, and it’s really hard to find something as powerful and complete, especially at the same price, which can seem quite high (for the Advanced Version), but all the features and modules, once explored, perfectly justify it.
RX6 is simply magnificent in many ways. First of all, the modules are incredibly precise and deliver clean and amazing results. It is impressive how it can completely delete a problem without affecting the core audio material. The workflow and its functions are improved, and with the MP3 export we can also use it as an audio converter. The Find Similar events, now more powerful, can save a lot of time. The Module List view and the ability to save your own presets comes really in handy when treating similar audio content, especially if you record in the same situations and you know that a certain problem will inevitably occur. Lastly, and this is something that it is worth pointing out, RX6 can be a great tool for audio editing in a more standard way. The instant process with the fades is so useful and quick, and all of the utilities modules are great to cover every aspect of audio treatment, like EQ adjustments or EQ matching, resampling functions, phase alignments, loudness metering, and much more. The learning curve can be steep, but the free tutorials on iZotope’s site will speed up the process and provide a more precise idea of how RX works and when to use it.
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RX6 is definitely a must have, it is a great tool not only for the film post production or dialogue editing, but also for the music recording and production.
iZotope RX6 can run on both Mac and PC as a standalone software, and, as a plugin suite, supports multiple formats like AAX (64-bit), Audiosuite DPM, Audio Unit (32-bit and 64-bit), RTAS (32-bit), VST 2 (32-bit and 64-bit), and VST 3 (32-bit and 64-bit). RX6 is available in three different versions: RX Elements ($129 USD), RX 6 Standard ($399 USD), RX 6 Advanced ($1,199 USD), and it is included in iZotope’s RX6 Post-Production Suite 2, which includes Neutron Advanced 2, RX Loudness Control and Insight, a metering suite ($1,499 USD).